Matthew Archambault | Drawing Tutorials Online Blog

Thinking Technique – Drawing In Your Own Style

by Matthew | Sep 26, 2019 | Drawing Tutorials, The Blog | 2 comments

There is a time and a place to draw certain techniques physically on the paper. While other times you just will want to draw in your style. The key is to think about certain techniques as you are drawing in your style.

In terms of practice, I believe its a must to draw techniques in their purest form. I have my students do this in class. During the classes morning session, I have the students draw pure technique.

However, during the afternoon session, I have them develop their style of drawing. The point of this post is to get you thinking about the difference between style and technique.
If you just draw a portrait or the figure in traditional techniques, your drawing will not have their voice.

Make sure you practice both every week. Cultivate your style while practicing new techniques. This practice will serve you in the long run.

Thanks so much for taking the time to watch. Let me know your thoughts.

How To Draw Soft Hair

by Matthew | Sep 12, 2019 | Drawing Tutorials, The Blog | 11 comments

I just recently finished up a new portrait drawing course. I wanted to share with you a technique for drawing soft hair.

You want to work in layers. Your first layer in terms of drawing hair is to block in tone. Don’t try to put in your darkest dark all at one time. You’ll want to gradually lay in tone.

With the technique shown in the video, I put down tone, then pushed the tone into the paper with a stiff bristle brush. What this does in push the pencil into the texture of the illustration board.

You will want to do this process a few times. Blocking in tone, using the brush to push it into the board. In the final layers that is where you will refine the details with both an eraser and your pencil.

When working on the final layers you should use a more pliable brush. One that is more forgiving. You can then proceed to pull out the light with a thin eraser. With this drawing, I used a mono-zero cylindrical eraser.

When you use the bristle brush, not a blending stump, you can easily pull out lights with your eraser. Try it it’s a ton of fun.

Let me know what you thought about this technique. Leave a comment below.

Christine’s Sketchbook – Dancer’s Delight

by Matthew | Aug 10, 2019 | Sketchbook Videos, The Blog

It’s been a while since I’ve posted a sketchbook video. Christine is the last student to represent the class last semester’s class.

I really enjoyed having Christine as a student in the class. Christine really came into her own as the year progressed. I really thought that her linework looked great. Her gestures drawings also improved.

I wish Christine lots of success in her second year at the School Of Visual Arts. I hope she visits from time to time to share her ongoing progress.

We both have one thing in common, we both love to draw dancers. Dancers offer so much while posing on the modeling stand. They offer movement, action, physique, as well as storytelling.

I hope you enjoyed browsing through Christine’s sketchbook. I wish her all the best moving forward!

Emily love your work, thanks so much for sharing!! Come back and visit on day.

Check out Christine’s Instagram. Thanks again Christine for sharing your art.

Shapes Equal Likeness

by Matthew | Jul 30, 2019 | Video Critiques

I wanted to share with you Michael’s critique. This week Michael shared one of his drawings in our member critique gallery. He had mentioned that he might have chosen the wrong photo.

I mentioned to Michael at the beginning of the critique that the photo was a good one. It’s good because it has some pretty good shadow shapes to cling onto. Michael is off to great start with his drawing, he just needs to focus on shapes.

If I had to give one piece of advice to any artist who aspires to draw portraits with a likeness, it would be to focus on drawing shapes, not things. Don’t draw the eyelid, draw the shadow shape around the eyelid.

Do not draw the lips with an outline, draw the shadow shape that makes up the upper lip and the shadow shape under the lower lip. In order to capture a person’s likeness, you must capture and draw their shapes accurately.

Now some would say that I’ve said this before, many times. Yes, I have because it works. When it comes to portrait drawing you want to be repetitive with certain things. One, always work from a photo that has good light and shade. Two, capture the likeness not through outlines but through shapes.

The modeling comes after you have blocked in light and shadow shapes. You do not need to learn fifty portrait drawing techniques, instead, you just need to master a few.

Drawing Tutorials Online is coming up on eleven years in business helping artists pursue their passion for drawing. Now is a great time to join, I am doubling down on making the website even better with shorter more instructive lessons. I look forward to helping you improve your artwork!.

How To Draw The Ear

by Matthew | Jul 18, 2019 | Drawing Tutorials, The Blog

I recently just finished uploading the last lesson in a course titled ‘How To Draw The Features Of The Face. This last lesson focuses on the ear.

Drawing the ear can certainly be tricky. There a few techniques that you really want to keep in mind.

First, think of the entire ear as an oval. All of the detail of the ear is housed in that simple oval.

Second, the details located inside of that oval, those details are basically cylinders. To be more specific they are cylinders that are curved. What makes these curvey cylinders hard to draw is the type of light that is hitting them.

I always place my light source above and to the side of my subjects, in essence creating form light.

Third, shade in the shadow shapes of the ear. Keep the shadow shapes more of a middle tone, do not go too dark. I learned my lesson the hard way a long time ago while working on a book cover painting. Let’s just say the ears were a bit too dark.

Ears are very translucent, shade the shadows with a middle tone. This will allow for a glow in the shadow.

Fourth and last, implement the modeling factors to really promote the three-dimensional quality of the Helix and the Anti-Helix.

If you have any questions or comments leave them below. I’d love the hear from you.