Anna’s sketchbook is really special. She just absolutely loves everything animation and it really shows. Her characters have some really cool expressions. Movement and flow are a constant theme throughout her sketchbook.
This short drawing tutorial will teach you how to blend pencil with a bristol brush. By using various types of bristle brushes you can really blend shadow shapes in a soft realistic way.
I wanted to take a moment to share part of a Master Class lesson featuring the sketches of Isaac Levitan. As you know I am a big fan of landscape painting. Most likely because most of my past illustrations had a landscape in the background.
When it comes to drawing a small head on a figure it can be pretty daunting. However when it comes to drawing facial features that are mainly on the shadow side of the head, that can be even worse.
In this video critique of the week we help out Hillary with her life drawing. To quote Hillary, I was going for a precise likeness by searching for shadow shapes, but once the drawing looked like her, I didn’t know how to develop the forms.
Coe’s Sketchbook drawings really inspire me, specifically their line drawings of birds and other animals. The line used to draw birds is spectacular and only improving with each passing week.
I discovered the work of Isaac Levitan roughly one year ago. I wish I knew of his work back in the day when I first started working as a freelance illustrator. Isaac Levitan is a master landscape painter. You can really see in this one painting how he captures light.
You can really see the progress Dennis makes in his sketchbook. Towards the end his drawings just take on a whole different feel. They becomes much more relaxed. Dennis’s drawings look much more refined.
In case you have not noticed I am a big believer in repetition in the mother of skill. I tend to teach the same things over and over again because they work for me. I have also seen these techniques work in the classroom on a weekly basis. The main crux is to use targets to start fitting the head onto the shoulders.
Dan has got to be one of the nicest people I have ever met. He is extremely talented and very respectful. I really love having Dan as a student is class. His appetite for learning is so infectious. Dan is always asking questions, always looking for more feedback on his work.
On paper it sounds easy to draw the correct proportions of the figure. But as we have all found out the hard, getting proper portions is very difficult.
From critiquing artwork in the members area I often get questions concerning modeling. How to make the transition between values smoother. A lot of artists struggle with having their drawings look too rough in the shading department.
I knew right off the bat that I was going to ask Delaney is she wanted to film a sketchbook video, I was so happy when she said yes. I think it’s important to see a sketchbook like Delaney’s. Mainly because it shows no fear.
Have you ever wondered why your figure drawings look stiff? Perhaps they look too stylized for your liking. The antidote to stiffness is eliminating all straight lines. Straight lines on the edge of your figure drawings without a doubt create a stiff look and feel.
I recently added a twenty-eight lesson figure drawing course in the member area of Drawing Tutorials Online. I wanted to share with you some of the lessons over here at my blog. This first lesson in particular is very important and will certainly help you improve.
I’ve had Emily’s sketchbook video on my iPhone for quite sometime. I’m about to start filming my current student’s sketchbooks this week. So what better time to post Emily’s third sketchbook. What can I say, Emily was the heart of her class last semester.
I would have liked it if Shannon was a student in my class when I was a first year student. Maybe I would have learned something about line quality.
Emily was a student in last years foundation drawing class for animators. I really miss having Emily in class this year. She is a massive Beatles fan with a with a great sense of humor.
In this screencast portrait drawing lesson I share with you how I think about the structure of the lips. Thinking about the structure of the lips is completely different than using angles, shapes and tone to map out the lips on paper. The key element to keep in...
In this screencast portrait drawing lesson I share with you how I think about the structure of the eye. Thinking about the structure of the eye is completely different than using angles, shapes and tone to map out an eye on paper.
Lin was a student enrolled in my drawing class last year at the School of Visual Arts. I guess I can start with the fact that Lin was the heart of the class. She really is the nicest person ever, the hardest working student truly devoted to improving.
This may not be my most exciting lesson, however it is an important one. Sometimes drawing a realistic portrait takes time. In this short three minute YouTube world that we live in it’s easy to loose sight of the fact that quality takes time.
In this portrait drawing lesson I share with you how to carefully lay in the mouth. By using a series of targets you can make sure you get proper placement of the lips. Simply put targets are little marks you place on paper. They help you to place the features of the...
Joie was a student that just had so much creativity. She loved the short stuff, hated the long drawings. As a matter of fact Joie really hated doing any drawing that was longer than a twenty minute pose.
I wanted to share with you lesson one from my latest portrait drawing course titled “Shea Portrait”. A few members had asked the question, can you start a portrait drawing with the eye first? The answer is of course. Diving deeper the real answer is that you can start a portrait wherever you see fit.
If you are looking for feedback on your artwork, I’m here to help. I devote every single Monday to critiquing member artwork. Sometimes we can get too close to our own artwork. Another set of eyes is always helpful. Thanks for sharing Yvon!
A new semester has started and Jean is certainly off to bigger and better things. However I wanted to take a moment and share her sketchbook with you. This sketchbook video is really short and sweet. It should take you no time to flow through
If you like a drawing style that is somewhat realistic you have to put in the time. An hour just won’t cut it. So know what you like, know what you aspire to. Be realistic with the time it takes to get there. This quite frankly is half the battle.
Okay lesson five, this video will show you the importance of solid shapes. It seems so simplistic, shading in a solid way. However I cannot stress the importance of being able to squint and see shapes, then shading them their appropriate value.
Okay great you have made it to lesson four. Once you have taken the time to get the basic shape of the head with a light middle tone it’s now time to dive in deeper. In essence you have basically drawn big shapes, then drawn smaller shapes within the big shapes. Start progressing into refining the features of the face.
In this lesson three I share with you the importance of adding shapes within shapes and refining edges. One you have established some basic shapes it’s then time to add smaller shapes within the big shapes. For instance once you have drawn the eye socket shape it’s time to place the eye within the eye socket shape.
In this sped up drawing tutorial world that we see on YouTube and Instagram we tend to forget that a good drawing takes time. It really takes time for me. A fourteen minute video clip up is basically a nano second in my drawing world. It's really important that you...
I just recently finished a brand new portrait drawing course over at Drawing Tutorials Online. I wanted to share with you a few of the chapters since the drawing has gotten a lot positive feedback. It’s been a while since I’ve posted any drawing tutorials outside of the members area.
It’s basically one month and one day before I start teaching a whole new group of students at the School of Visual Arts in Manhattan. I still have some sketchbook videos that I really need to post. This is a short but sweet sketchbook that Alice worked on when she was all out of ideas.
Every so often I film a Master Class lesson. What is a Master Class lesson you say? It’s where I analyze the work of an old master. In this case it’s the work of Albert Bierstadt. It’s a great way for members of DTO to hone their image making skills.
Thanks Alice for sharing your sketchbook with us. Alice’s improvement over the entire academic year was pretty incredible. She really is an example of what hard work and devotion can do for one’s portfolio of drawings. Improve them immensely.
Emily has really made some great strides with her artwork over two semesters. Her art is definitely unique to Emily. The shapes of her characters are really interesting. Emily also has this great knack for drawing really thin detailed line which I totally love.
I remember back in the day when song was a student in my class she was a little lost. She was completely unsure of herself. Her confidence just was not there. However she perservered and her skill set began to grow. Her confidence also started to grow.
Alice has ton of raw natural talent. She is doing a really great job of cultivating that talent with her hard work in class. Her two mini sketchbooks are a pleasure to look through. Thanks Alice so much for sharing your art.
Working on rough sketches is a great time to plan and think. You can certainly use a multitude of techniques when composing your scene. I like using a grid, I also like to use big compositional shapes. Compositional shapes are big areas of light and shade.