Figure Drawing | Drawing Tutorials Online Blog

Dan’s Sketchbook

by Matthew | Jan 19, 2019 | Sketchbook Videos, The Blog | 2 comments

Dan has got to be one of the nicest people I have ever met. He is extremely talented and very respectful. I really love having Dan as a student is class. His appetite for learning is so infectious. Dan is always asking questions, always looking for more feedback on his work.

Dan’s life drawings are truly amazing with a ton of power and vitality. He is in a really good place with his artwork right now. The future is bright.

The one thing I wish for Dan moving forward is to allow his growth to happen naturally. Dan wants to improve, like now. I know that feeling, you are improving, but not fast enough. The one thing I have learned over the years is that you cannot force how fast you can learn.

Our mind is like a sponge, it can only absorb so much information in any given period of time. You have to allow your mind to take in the information and process it. Putting what you have learned into practice does take some time.

I like to compare learning to the growth of a tree. A tree can only grow so much in one year. You cannot force it to grow six feet in a year, that’s just not natural. How we take in information and apply it is very similar to the growth of a tree.

Allow yourself to enjoy the process of learning. Yes push to improve, yes be extremely competitive, strive to be the best. However enjoy the process of learning how to draw. Set your eye on the destination and enjoy the sights along the way.

Dan thanks once again for sharing your art!!

Check out Dan’s Instagram. Thanks again Dan for sharing your art.

Mapping Out Proportions

by Matthew | Jan 12, 2019 | Drawing Tutorials, The Blog | 3 comments

With this particular figure drawing I started with an abstract shape. It’s definitely a different way to start. Now what I’d like to share with you is how to branch out from the legs into drawing the torso.

That is drawing the torso with correct proportions. On paper it sounds easy. But executing this is somewhat difficult. It takes good eye hand coordination.

The concept is to use targets to branch out. What are targets you ask? They are little marks that you place on the paper to estimate where the edge of an item would be. The edge of the torso, the edge of the arm etc.

You’ll also want to look at abstract negative space between the torso and the legs. Take it slow and do not rush this step. Look and study more than you draw.

Lastly you’ll want to take measurements. Common sense stuff like what is directly opposite the model’s breast? What is right below the model’s navel. Not very romantic but these techniques work.

Like I said on paper this all sounds very boring and simple. But this really does take quite of lot of eye hand coordination. How to you get that, you draw everyday.

If this technique helps you please leave a comment below. I’d love to hear anything you can add to conversation. If you have tried this technique and are still having issues with getting correct proportions I would like to help.

I would be happy to critique your work each and every Monday in our members Critique Gallery. It’s a cool place to get feedback on your work without all of the negative commentary.

Complicating Your Edge Line

by Matthew | Dec 29, 2018 | Drawing Tutorials, The Blog | 1 comment

Have you ever wondered why your figure drawings look stiff? Perhaps they look too stylized for your liking. The antidote to stiffness is eliminating all straight lines.

Straight lines on the edge of your figure drawings without a doubt create a stiff look and feel. No doubtably there are no straight lines on an organic figure. Now if you are in a life drawing class sitting fifteen feet away the model, all of the edges will look straight.

However armed with the knowledge that there should be no straight lines on the figure it’s your task to curve and complicate your edge line. There are specific areas to do this.

For instance you will want to complicate edge lines at the joints. Specifically the knee, ankle, elbow, shoulder etc. You do not want to complicate the middle of a limb. Keep the middle of the model’s limbs curvy and smooth, remember complicate at the joints.

Take a look at your work, tape of few of your figure drawing on the wall. Look at them as a unit, do they look stiff? Do you see a bunch of simplified edges? Do you see straight lines on the edge of your figure drawings?

Now you know what to incorporate into your drawings to to eliminate that stylized look. You now know how to create more of a realistic look and feel.

If you are looking to learn some new drawing techniques to help improve your figure drawing definitely consider a membership to Drawing Tutorials Online. I’m particularly proud of this new twenty-eight lesson course.

All of the lessons are really short, most under ten minutes. Each lesson focuses on a different technique. The course focuses on line, proportions, shading, structure as well as form.

Not to mention you can get your figure drawings critiqued on a weekly basis in our gallery. If the technique taught in the lesson above speaks to you please leave a comment below. Thanks for reading.

Start Your Figure Drawing From An Abstract Shape

by Matthew | Dec 20, 2018 | Drawing Tutorials, The Blog | 9 comments

I recently added a twenty-eight lesson figure drawing course in the member area of Drawing Tutorials Online. I wanted to share with you some of the lessons over here at my blog. This first lesson in particular is very important.

Too many artists give themselves artificial rules. These rules can sometimes take the fun out of drawing, especially figure drawing. One of these rules is that you must start your figure drawing from the top of the head. I disagree completely.

Do I sometimes start my figure drawing at the top of the head, the short answer is yes. When do I do this, mainly when I am deliberately trying to draw the figure from head to toe. This is something you want to do especially when working on short duration gesture drawings.

Working from head to toe using the Opposite C technique enables you to see proportions in a quick way. However when I want to work on a long duration drawing I like to switch things up.

Starting your drawing from an abstract shape is a great way to begin. I have been drawing this way for years both from life and from photos. The idea here is that drawing an abstract shape is a whole lot easier then drawing an actual body part.

For instance in this particular figure drawing I start in essense with the abstract shape between the model’s legs. Some artists like to call this a negative shape or negative space. Either way it’s abstract.

Starting with an abstract shape is a great way to start because it allows you to start building up confidence. It allows you to see proportions in a different way.

I highly suggest that you give this technique a try. Practice drawing a bunch of abstract shapes. Try copying each shape exactly, this great practice and will help you with your accuracy.

If you are looking to learn some new drawing techniques to help improve your figure drawing definitely consider a membership to Drawing Tutorials Online. I’m particularly proud of this new twenty-eight lesson course.

All of the lessons are really short, most under ten minutes. Each lesson focuses on a different technique. The course focuses on line, proportions, shading, structure as well as form.

Not to mention you can get your figure drawings critiqued on a weekly basis in our gallery. If the technique taught in the lesson above speaks to you please leave a comment below. Thanks for reading.

Joie’s Sketchbook – Creativity – Originality

by Matthew | Sep 30, 2018 | Sketchbook Videos, The Blog | 5 comments

Last years drawing class was pretty brilliant. A lot of great friendships were made last year in class. Joie was a student that just had so much creativity. She loved the short stuff, hated the long drawings. As a matter of fact Joie really hated doing any drawing that was longer than a twenty minute pose.

Over the years I have learned that being able to work on short gesture drawings is just as important as the long stuff. If you just work on long academic type drawings that could lead to stiffness. The short duration gesture type drawings that Joie loves so much loosen your work up.

Hopefully over the years Joie will acquire a taste for that balance of working on short gesture drawing and long duration drawings.

Umm, somethings tells me Joie will stick to her short stuff. Her creativity is really inspiring. Her energy is inspiring as well. I trust you will enjoy looking through her sketchbook no matter what style of drawing you like.