Anna’s Sketchbook – Animator’s Delight

Anna’s Sketchbook – Animator’s Delight

by | Mar 16, 2019 | Sketchbook Videos, The Blog | 1 comment

Anna is a student currently enrolled in my foundation drawing class at the School Of Visual Arts. I really enjoy having Anna in class. Her work ethic is pretty amazing. Not to mention she is super friendly.

Anna’s sketchbook is really special. She just absolutely loves everything animation and it really shows. Her characters have some really cool expressions. Movement and flow are a constant theme throughout her sketchbook.

I can really see Anna making great strides in her journey through SVA. She has such a passion for animation that will enable her to learn while having fun at the same time.

Loving what you do is such a key ingredient to becoming a successful artist.

 

 

Check out Anna’s Instagram. Thanks again Anna for sharing your art.

 

Drawing Facial Features In An Impressionistic Way

Drawing Facial Features In An Impressionistic Way

by | Feb 23, 2019 | Drawing Tutorials, The Blog | 5 comments

Drawing a small head on a figure it can be pretty daunting. However when it comes to drawing facial features that are mainly on the shadow side of the head, that can be even more daunting.

The key to drawing facial features that are mainly on the shadow side of the face is to draw them in an impressionistic way. I’m a big believer of drawing shadow shapes, not facial features. Think of them as one in the same. Getting a likeness is about seeing the shadow shapes within the features, then drawing them accurately.

You also want to think and draw in layers. Start off with blocking in light tone. Feel your way through the facial features with very soft light tone. This is where you want to practice your light touch. Diving into drawing the features with heavy dark tone at first will only create a mess.

Especially if you are struggling with measurements.

There are three key takeaways from this lesson. First, work from light to dark when applying tone. Second, don’t draw facial features, draw soft accurate shadow shapes. Third, think layers, build up the dark tone and detail gradually.

These initial soft layers of tone are a foundation for the detail that will come later.

 

 

To watch the course in it’s entirety consider a membership to Drawing Tutorials Online. Not only will you learn many new drawing techniques, you can also get your figure drawings critiqued weekly.

 

Coe’s Sketchbook – Beautiful Line Quality

Coe’s Sketchbook – Beautiful Line Quality

by | Feb 16, 2019 | Sketchbook Videos, The Blog | 2 comments

Coe is a student currently enrolled in my foundation drawing class at the School of Visual Arts. I’ve always been a big fan of Coe’s life drawings in class since very early on in the semester. When they had agreed to film a sketchbook video I was super excited.

Coe’s Sketchbook drawings really inspire me, specifically their line drawings of birds and other animals. The line used to draw birds is spectacular and only improving with each passing week.

Coe works is really unique and authentic. Coe thank you so much for sharing your art!

 

 

Check out Coe’s Instagram. Thanks again Coe for sharing your art.

 

Dennis’s Sketchbook – Quiet & Cool

Dennis’s Sketchbook – Quiet & Cool

by | Feb 2, 2019 | Sketchbook Videos, The Blog | 2 comments

Dennis is a student currently enrolled in my foundation drawing class at the School of Visual Arts. Dennis is certainly a quiet student who goes about his learning in a methodical way.

You can really see the progress Dennis makes in his sketchbook. Towards the end his drawings just take on a whole different feel. They becomes much more relaxed. Dennis’s drawings look much more refined.

It really is amazing what can happen when you push yourself to finish two sketchbooks in fifteen weeks. If you want to improve your artwork you just have to draw more. It’s really that simple. I’d like to say it’s about quality and not quantity, but it’s really about more versus less.

Specifically when learning how to draw. When it comes to creating pieces for a portfolio, then it’s quality over quantity, less is best.

Thank you for taking the time to take a look at Dennis’s sketchbook. I trust you will see his progress.

 

 

Check out Dennis’s Instagram. Thanks again Dennis for sharing your art.

 

Fitting The Head Onto The Body

Fitting The Head Onto The Body

by | Jan 26, 2019 | Drawing Tutorials, The Blog | 2 comments

In this very short figure drawing lesson I’d like to share with you how I begin to fit the head onto the shoulders. The two key words are short and begin.

In case you have not noticed I am a big believer in repetition in the mother of skill. I tend to teach the same things over and over again because they work for me. I have also seen these techniques work in the classroom on a weekly basis.

The main crux is to use targets to start fitting the head onto the shoulders. There are few other little techniques you can incorporate into the mix.

One, do your best to gesture into the head. In the video you can see How I use a gesture line from the side of the breast into the side of the face. Use long gesture lines whens fitting the head.

Two after the first few lines stop and get up off of your chair. Reset your eyes, looking out the window at something far away is a great way to do this. After you have reset your eyes come back to the drawing. You will immediately see what is working and what is not.

When we sit down for long period of time we loose site of the drawing in terms of proportions.

So the three keys, use some light target lines to start placing the head onto the shoulders. Incorporate one or two gesture lines to flow into the head as well. Within a minute or two of placing these initial lines get up and look at your drawing from far away.

Try these three techniques the next time you are working on a figure drawing.

 

 

If this technique helps you please leave a comment below. I’d love to hear anything you can add to conversation. If you have tried this technique and are still having issues with fitting the head onto the body I would like to help.

I would be happy to critique your work each and every Monday in our members Critique Gallery. It’s a cool place to get feedback on your work without all of the negative commentary you find on social media.