Seeing The Head As A Box

Seeing The Head As A Box

by | Oct 29, 2019 | The Blog, Video Critiques

Arjun consistently uploads his work for a critique every week. In this week’s critique, I help out Arjun with seeing how to fit a box to a head. You might ask, why even bother with this technique, what’s the point?

I think what Arjun is practicing is super important. He is trying to understand how to see and decipher the surface planes of the head. Placing a portrait within a box is the most primitive way to see the surface planes. It’s the most macro, front and side.

There is a multitude of surface planes on the head. With portraits, it’s important to know where the big surface plane shifts occur. They occur at the temple and cheekbone, otherwise known as the Zygomaticofacial foramen. I know, anatomical terms, ugh.

Understanding where to see and place the big surface planes will most certainly help you to improve the way you draw a three-dimensional portrait. It’s even better when you light the portrait whereas the front planes catch the light, and the side planes are in shadow.

Lastly, trying to place a perfectly geometric box around an organic head just does not compute for a lot of artists. That is why I suggest drawing curved edged, organic boxes instead of right-angled boxes.

The human body is not synthetic, it’s super curvy. In other words, round all of your corners.

 

 

Thank you so much for checking out Arjun’s critique. You can check out his Instagram page @AKTracer.

 

How To Draw Soft Hair

How To Draw Soft Hair

by | Sep 12, 2019 | Drawing Tutorials, The Blog | 11 comments

I just recently finished up a new portrait drawing course. I wanted to share with you a technique for drawing soft hair.

You want to work in layers. Your first layer in terms of drawing hair is to block in tone. Don’t try to put in your darkest dark all at one time. You’ll want to gradually lay in tone.

With the technique shown in the video, I put down tone, then pushed the tone into the paper with a stiff bristle brush. What this does in push the pencil into the texture of the illustration board.

You will want to do this process a few times. Blocking in tone, using the brush to push it into the board. In the final layers that is where you will refine the details with both an eraser and your pencil.

When working on the final layers you should use a more pliable brush. One that is more forgiving. You can then proceed to pull out the light with a thin eraser. With this drawing, I used a mono-zero cylindrical eraser.

When you use the bristle brush, not a blending stump, you can easily pull out lights with your eraser. Try it it’s a ton of fun.

 

 

Let me know what you thought about this technique. Leave a comment below.

 

How To Draw The Structure Of The Eye

How To Draw The Structure Of The Eye

by | Aug 20, 2019 | Drawing Tutorials, The Blog | 2 comments

I recently completed a portrait drawing course that focuses on how to draw the features of the face. In this particular drawing lesson, I share with you two different ways to think about drawing the eye.

The first way to think about the eye is basically drawing a ball in a socket. Do your best to visualize light hitting a sphere. That sphere is sitting in a socket, the eye socket of the skull. I love drawing with outlines, however, too many artists focus on the linear aspect of the eye’s lashes.

Instead, try drawing shapes of light and dark. Those shapes of light and dark with be dictated by which direction the light is hitting the ball in the socket.

Another way to think about the eye is with surface planes. The master of surface planes is certainly George Bridgeman. I never like my surface plane type drawings. However, they are a necessary evil when learning how to draw the eye. Try your hand at completing a surface plane drawing of the eye.

Lastly, in this short lesson, I also share with you what not to do when drawing the eye. You do not want to draw the eye in the form of an almond shape. You do not want to draw super sharp eyelashes, instead, think of grouping the lashes together in a soft shape.

Lastly do not draw the iris as a full-round circle. The round iris is usually covered up by both eyelids making it look more like a rounded rectangle.

This drawing lesson basically provides you with two exercises to complete. These exercises will help you to think about how to draw the structure of the eye.

Thank you so much for watching.

 

 

Learn more on how a membership to Drawing Tutorials Online can help you with your portrait drawings.

 

Christine’s Sketchbook – Dancer’s Delight

Christine’s Sketchbook – Dancer’s Delight

by | Aug 10, 2019 | Sketchbook Videos, The Blog

It’s been a while since I’ve posted a sketchbook video. Christine is the last student to represent the class last semester’s class.

I really enjoyed having Christine as a student in the class. Christine really came into her own as the year progressed. I really thought that her linework looked great. Her gestures drawings also improved.

I wish Christine lots of success in her second year at the School Of Visual Arts. I hope she visits from time to time to share her ongoing progress.

We both have one thing in common, we both love to draw dancers. Dancers offer so much while posing on the modeling stand. They offer movement, action, physique, as well as storytelling.

I hope you enjoyed browsing through Christine’s sketchbook. I wish her all the best moving forward!

Emily love your work, thanks so much for sharing!! Come back and visit on day.

 

 

Check out Christine’s Instagram. Thanks again Christine for sharing your art.

 

Shapes Equal Likeness

Shapes Equal Likeness

by | Jul 30, 2019 | Video Critiques

I wanted to share with you Michael’s critique. This week Michael shared one of his drawings in our member critique gallery. He had mentioned that he might have chosen the wrong photo.

I mentioned to Michael at the beginning of the critique that the photo was a good one. It’s good because it has some pretty good shadow shapes to cling onto. Michael is off to great start with his drawing, he just needs to focus on shapes.

If I had to give one piece of advice to any artist who aspires to draw portraits with a likeness, it would be to focus on drawing shapes, not things. Don’t draw the eyelid, draw the shadow shape around the eyelid.

Do not draw the lips with an outline, draw the shadow shape that makes up the upper lip and the shadow shape under the lower lip. In order to capture a person’s likeness, you must capture and draw their shapes accurately.

Now some would say that I’ve said this before, many times. Yes, I have because it works. When it comes to portrait drawing you want to be repetitive with certain things. One, always work from a photo that has good light and shade. Two, capture the likeness not through outlines but through shapes.

The modeling comes after you have blocked in light and shadow shapes. You do not need to learn fifty portrait drawing techniques, instead, you just need to master a few.

 

 

Drawing Tutorials Online is coming up on eleven years in business helping artists pursue their passion for drawing. Now is a great time to join, I am doubling down on making the website even better with shorter more instructive lessons. I look forward to helping you improve your artwork!.