How To Draw The Structure Of The Lips

How To Draw The Structure Of The Lips

by | Oct 25, 2018 | Drawing Tutorials, The Blog | 1 comment

In this screencast portrait drawing lesson I share with you how I think about the structure of the lips. Thinking about the structure of the lips is completely different than using angles, shapes and tone to map out the lips on paper.

 

The key element to keep in mind when drawing lips is that you are simply drawing two horizontal cylinders on top of one another. You are not drawing lips via a harsh outline, you are drawing two soft cylinders.

 

The key element to look out for is how is the light hitting these two horizontal cylinders. Usually the light comes from up above. This places the upper lip in shadow, the lower lips usually catches a ton of light. The lower lips casts a shadow on the chin. Again avoid outlining the lips completely.

 

Too many artists tend to separate the lips from the face with a dark harsh outline. You will really want to allow the lower lip to merge with the skin tone. The value of the lips is just about the same value as one’s skin tone. Again their are no absolutes but this tends to be the case most of the time. Of course dark lipstick throws a monkey wrench into this theory.

 

You will also want to add multiple angles on the line that separates the two lips. Avoid using an overly simplistic straight line to separate the upper and lower lip. If you implement some of these techniques you should see improvement no doubt.

 

 

 

 

If you are interested in learning more consider a membership to Drawing Tutorials Online. You will gain access to every lesson in the course, plus be able to download the PDF that compliments this portrait drawing course immediately.

Thanks so much for taking the time to watch.

 

Shea Portrait – Shading In The Hair

Shea Portrait – Shading In The Hair

by | Oct 10, 2018 | Drawing Tutorials, The Blog | 3 comments

This may not be my most exciting lesson, however it is an important one. Sometimes drawing a realistic portrait takes time. In this short three minute YouTube world that we live in it’s easy to loose sight of the fact that quality takes time.

Now every artist obviously is different. Every artist has their own personal style. For my portrait drawings I really do enjoy spending long hours working on blocking in the tone.

In this particular video tutorial I’m sharing with you how I start blocking in the soft tone of the hair on the shadow side of the head. When drawing hair it’s important to build up your middle tones first before diving into pressing down super hard on your pencil.

The key takeaways from this portrait drawing lesson, hair is soft, draw it in a soft way. If hair is long, use long pencil strokes. Hair is made up of many cylindrical shapes, think of how the light is hitting those cylinders.

It’s so very important to be clear on your personal style of portrait drawing. You might decide that you really don’t want to draw every strand of hair. You might want to leave some areas of the hair void of detail. Remember, make it fun and keep it original.

If you got something from this very quiet video please leave a comment below.

 

 

Improve your portrait drawing skills to today with a membership to Drawing Tutorials Online. Select from a monthly or annual plan, cancel anytime.

 

Portrait Painting Critique

Portrait Painting Critique

by | Sep 11, 2018 | Video Critiques | 7 comments

Yvon is a current member of Drawing Tutorials Online. I recently critiqued her acrylic portrait painting. The main suggestion was to utilize the line that separates the light from the dark. In essence blocking in the shadow shapes.

Without shadow shapes a portrait can become quite flat. In this particular case Yvon chose pretty amazing photo reference. If you have trouble with seeing the shadow shapes try squinting. When you squint you eliminate the small details and focus on the big light and shadow shapes.

The other main suggestion was to work with a limited color palette. Yvon had asked about using transparent tones.

My suggestion with paint, use translucency in the shadows, opacity in the lights. This will help to create form and depth.

Take a moment to check out the video below. It will definitely give you some useful painting tips.

 

 

If you are looking for feedback on your artwork, I’m here to help. I devote every single Monday to critiquing member artwork. Through the use of Drawing Tutorials Online weekly critiques you will improve faster. You will know what to start looking for.

Sometimes we can get too close to our own artwork. Another set of eyes is always helpful. Thanks for sharing Yvon!

 

Portrait Drawing – Lesson Twelve

Portrait Drawing – Lesson Twelve

by | Sep 4, 2018 | Drawing Tutorials | 3 comments

In this last lesson twelve I share with you how I finish up the portrait drawing. The one key takeaway from this last lesson, good things take time.

Now please don’t take this out of context. Some of my favorite drawings are ten minute gesture drawings. What I’m talking too here is in direct relation to a style associated with drawing in a realistic way utilizing tone.

If you like a drawing style that is somewhat realistic you have to put in the time. An hour just won’t cut it. So know what you like, know what you aspire to. Be realistic with the time it takes to get there. This quite frankly is half the battle to creating a realistic looking portrait.

 

 

Thanks so much for taking the time to watch these lessons. I’m currently working on a new portrait drawing course. I hope to share that with you soon.

 

Portrait Drawing – Lesson Four

Portrait Drawing – Lesson Four

by | Aug 31, 2018 | Drawing Tutorials, The Blog | 1 comment

Okay great you have made it to lesson four. Once you have taken the time to get the basic shape of the head with a light middle tone it’s now time to dive in deeper. In essence you have basically drawn big shapes, then drawn smaller shapes within the big shapes.

Start progressing into refining the features of the face, getting a bit more aggressive with a darker middle tone.

You can accomplish this by looking more at the photo reference than you look at your drawing. You also will want to have a value scale nearby to ensure that you are using the proper value structure. Not too dark, not too light.

You will also want to start adding more value to the shape of the hair as well. This will really start to balance your drawing out.

 

 

Thank you so much for watching. I appreciate you taking the time to watch these portrait drawing tutorials

If you like this style of drawing definitely consider a membership to Drawing Tutorials Online. My main goal for the website is to help members create better art, period. Learning through well thought out courses as well as getting your portrait drawings critiqued will help you to improve in a much faster way.