Start Your Figure Drawing From An Abstract Shape

Start Your Figure Drawing From An Abstract Shape

by | Dec 20, 2018 | Drawing Tutorials, The Blog | 9 comments

I recently added a twenty-eight lesson figure drawing course in the member area of Drawing Tutorials Online. I wanted to share with you some of the lessons over here at my blog. This first lesson in particular is very important.

Too many artists give themselves artificial rules. These rules can sometimes take the fun out of drawing, especially figure drawing. One of these rules is that you must start your figure drawing from the top of the head. I disagree completely.

Do I sometimes start my figure drawing at the top of the head, the short answer is yes. When do I do this, mainly when I am deliberately trying to draw the figure from head to toe. This is something you want to do especially when working on short duration gesture drawings.

Working from head to toe using the Opposite C technique enables you to see proportions in a quick way. However when I want to work on a long duration drawing I like to switch things up.

Starting your drawing from an abstract shape is a great way to begin. I have been drawing this way for years both from life and from photos. The idea here is that drawing an abstract shape is a whole lot easier then drawing an actual body part.

For instance in this particular figure drawing I start in essense with the abstract shape between the model’s legs. Some artists like to call this a negative shape or negative space. Either way it’s abstract.

Starting with an abstract shape is a great way to start because it allows you to start building up confidence. It allows you to see proportions in a different way.

I highly suggest that you give this technique a try. Practice drawing a bunch of abstract shapes. Try copying each shape exactly, this great practice and will help you with your accuracy.

 

 

If you are looking to learn some new drawing techniques to help improve your figure drawing definitely consider a membership to Drawing Tutorials Online. I’m particularly proud of this new twenty-eight lesson course.

All of the lessons are really short, most under ten minutes. Each lesson focuses on a different technique. The course focuses on line, proportions, shading, structure as well as form.

Not to mention you can get your figure drawings critiqued on a weekly basis in our gallery. If the technique taught in the lesson above speaks to you please leave a comment below. Thanks for reading.

 

Emily’s Third Sketchbook – A Long Time Ago

by | Dec 16, 2018 | Sketchbook Videos, The Blog | 1 comment

I’ve had Emily’s sketchbook video on my iPhone for quite sometime. I’m about to start filming my current student’s sketchbooks this week. So what better time to post Emily’s third sketchbook.

What can I say, Emily was the heart of her class last semester. She brings so much energy and passion to everything she does.

Emily is all about constant improvement. I trust you will find some value and inspiration when flipping through her sketchbook with me.

 

 

Check out Emily’s Instagram. You can really see her improvement there too. Thanks again Emily for sharing your art.

 

How To Draw The Structure Of The Lips

How To Draw The Structure Of The Lips

by | Oct 25, 2018 | Drawing Tutorials, The Blog | 1 comment

In this screencast portrait drawing lesson I share with you how I think about the structure of the lips. Thinking about the structure of the lips is completely different than using angles, shapes and tone to map out the lips on paper.

 

The key element to keep in mind when drawing lips is that you are simply drawing two horizontal cylinders on top of one another. You are not drawing lips via a harsh outline, you are drawing two soft cylinders.

 

The key element to look out for is how is the light hitting these two horizontal cylinders. Usually the light comes from up above. This places the upper lip in shadow, the lower lips usually catches a ton of light. The lower lips casts a shadow on the chin. Again avoid outlining the lips completely.

 

Too many artists tend to separate the lips from the face with a dark harsh outline. You will really want to allow the lower lip to merge with the skin tone. The value of the lips is just about the same value as one’s skin tone. Again their are no absolutes but this tends to be the case most of the time. Of course dark lipstick throws a monkey wrench into this theory.

 

You will also want to add multiple angles on the line that separates the two lips. Avoid using an overly simplistic straight line to separate the upper and lower lip. If you implement some of these techniques you should see improvement no doubt.

 

 

 

 

If you are interested in learning more consider a membership to Drawing Tutorials Online. You will gain access to every lesson in the course, plus be able to download the PDF that compliments this portrait drawing course immediately.

Thanks so much for taking the time to watch.

 

Shea Portrait – Shading In The Hair

Shea Portrait – Shading In The Hair

by | Oct 10, 2018 | Drawing Tutorials, The Blog | 3 comments

This may not be my most exciting lesson, however it is an important one. Sometimes drawing a realistic portrait takes time. In this short three minute YouTube world that we live in it’s easy to loose sight of the fact that quality takes time.

Now every artist obviously is different. Every artist has their own personal style. For my portrait drawings I really do enjoy spending long hours working on blocking in the tone.

In this particular video tutorial I’m sharing with you how I start blocking in the soft tone of the hair on the shadow side of the head. When drawing hair it’s important to build up your middle tones first before diving into pressing down super hard on your pencil.

The key takeaways from this portrait drawing lesson, hair is soft, draw it in a soft way. If hair is long, use long pencil strokes. Hair is made up of many cylindrical shapes, think of how the light is hitting those cylinders.

It’s so very important to be clear on your personal style of portrait drawing. You might decide that you really don’t want to draw every strand of hair. You might want to leave some areas of the hair void of detail. Remember, make it fun and keep it original.

If you got something from this very quiet video please leave a comment below.

 

 

Improve your portrait drawing skills to today with a membership to Drawing Tutorials Online. Select from a monthly or annual plan, cancel anytime.

 

Portrait Painting Critique

Portrait Painting Critique

by | Sep 11, 2018 | Video Critiques | 7 comments

Yvon is a current member of Drawing Tutorials Online. I recently critiqued her acrylic portrait painting. The main suggestion was to utilize the line that separates the light from the dark. In essence blocking in the shadow shapes.

Without shadow shapes a portrait can become quite flat. In this particular case Yvon chose pretty amazing photo reference. If you have trouble with seeing the shadow shapes try squinting. When you squint you eliminate the small details and focus on the big light and shadow shapes.

The other main suggestion was to work with a limited color palette. Yvon had asked about using transparent tones.

My suggestion with paint, use translucency in the shadows, opacity in the lights. This will help to create form and depth.

Take a moment to check out the video below. It will definitely give you some useful painting tips.

 

 

If you are looking for feedback on your artwork, I’m here to help. I devote every single Monday to critiquing member artwork. Through the use of Drawing Tutorials Online weekly critiques you will improve faster. You will know what to start looking for.

Sometimes we can get too close to our own artwork. Another set of eyes is always helpful. Thanks for sharing Yvon!