The Blog | Drawing Tutorials Online Blog

Blending Shadow Shapes With a Brush

by Matthew | Mar 14, 2019 | Drawing Tutorials, The Blog | 15 comments

This short drawing tutorial will teach you how to blend pencil with a bristle brush. By using various types of bristle brushes you can really blend shadow shapes in a soft realistic way.

Sometimes when we use a blending stump things can get a bit over blended. Blending stumps tend to make your drawings look a bit heavy handed when over used.

In this particular drawing lesson the brush really helped me to push the pencil into the texture/tooth of the paper. By implementing this same technique you will be able to model form in a realistic way.

I encourage you to try this technique. The brushes do not need to be expensive, in this case the cheaper the better.

Let me know what you though about this technique. I find it works really well in speeding up the drawing process. Especially when working with an old school pencil on regular drawing paper.

The complete lesson will be posted on Drawing Tutorials Online later this month.

Isaac Levitan Sketches – Master Class

by Matthew | Mar 2, 2019 | MasterClass, The Blog

I wanted to take a moment to share part of a Master Class lesson featuring the sketches of Isaac Levitan. As you know I am a big fan of landscape painting. Most likely because most of my past illustrations had a landscape in the background.

I usually painted a portrait on the book cover of the main character with a landscape as the back drop.

This particular video below analyzes how Isaac Levitan takes his viewers on a journey though his landscape sketch. He almost always takes the viewer on a journey through his scene via a lead in of some sort. In this case it’s the footprints in the snow.

He then uses contrast in tandem with hard edges to lead the viewer to various parts of the landscape sketch. Levitan uses a nice compliment of hard and soft edges to control where the viewer looks first second and third. He also uses a balance of hard and soft edges to create a foreground and background.

Lastly Levitan certainly understood the power of shape. A lot of artists get too caught up with texture leaving powerful shapes out of their landscape sketches. Do your best to use a light, middle tone and dark shape somewhere in your scene.

The next time you set out to compose a landscape use all of these techniques to your advantage. Use contrast, edges, as well as shape to take the viewer of your imagery through a cool little journey.

To see our of our Master Class videos consider a membership to Drawing Tutorials Online. Thanks so much for taking the time to check out this lesson.

Drawing Facial Features In An Impressionistic Way

by Matthew | Feb 23, 2019 | Drawing Tutorials, The Blog | 5 comments

Drawing a small head on a figure it can be pretty daunting. However when it comes to drawing facial features that are mainly on the shadow side of the head, that can be even more daunting.

The key to drawing facial features that are mainly on the shadow side of the face is to draw them in an impressionistic way. I’m a big believer of drawing shadow shapes, not facial features. Think of them as one in the same. Getting a likeness is about seeing the shadow shapes within the features, then drawing them accurately.

You also want to think and draw in layers. Start off with blocking in light tone. Feel your way through the facial features with very soft light tone. This is where you want to practice your light touch. Diving into drawing the features with heavy dark tone at first will only create a mess.

Especially if you are struggling with measurements.

There are three key takeaways from this lesson. First, work from light to dark when applying tone. Second, don’t draw facial features, draw soft accurate shadow shapes. Third, think layers, build up the dark tone and detail gradually.

These initial soft layers of tone are a foundation for the detail that will come later.

To watch the course in it’s entirety consider a membership to Drawing Tutorials Online. Not only will you learn many new drawing techniques, you can also get your figure drawings critiqued weekly.

Coe’s Sketchbook – Beautiful Line Quality

by Matthew | Feb 16, 2019 | Sketchbook Videos, The Blog | 2 comments

Coe is a student currently enrolled in my foundation drawing class at the School of Visual Arts. I’ve always been a big fan of Coe’s life drawings in class since very early on in the semester. When they had agreed to film a sketchbook video I was super excited.

Coe’s Sketchbook drawings really inspire me, specifically their line drawings of birds and other animals. The line used to draw birds is spectacular and only improving with each passing week.

Coe works is really unique and authentic. Coe thank you so much for sharing your art!

Check out Coe’s Instagram. Thanks again Coe for sharing your art.

Isaac Levitan – Master Landscape Painter

by Matthew | Feb 9, 2019 | MasterClass, The Blog | 3 comments

I discovered the work of Isaac Levitan roughly one year ago. I wish I knew of his work back in the day when I first started working as a freelance illustrator. Isaac Levitan is a master landscape painter. You can really see in this one painting how he captures light, squint at it.

He is really known for capturing both mood and light. One of my biggest struggles as a painter when first starting out was capturing light. I simply didn’t know what to do.

I discovered later that incorporating shadows was one way to capture light. Without shadows there can be no light. However what I didn’t realize is that you have to incorporate both shadows and cast shadows. Cast shadows are really where it’s at in terms of capturing light.

As an image maker you always want to think about the time of day. In this particular Levitan painting it is mid day, therefore there are no long cast shadows. One would incorporate long cast shadow during the late afternoon. Makes sense right, however this is really easy to overlook when we sit down to create our art whether with brush or pencil.

I just recently finished a brand new master class lesson showcasing the work of Isaac Levitan. In this master class series I do my best to analyze the work of different artists. Analyzing the work of these old masters is a great way to learn different techniques. When you study a multiple pieces of the artist’s work, that is when you discover trends.

Most artists tend to use the same techniques over and over again. We like to feel comfortable when creating.

Take a moment to study your own work. Not just one piece but a bunch of them. Do you see shadows and cast shadows? If you don’t then you will want to study the work of Isaac Levitan further.

If you would like to watch this MasterClass in it’s entirety along with nine others consider a membership to Drawing Tutorials Online.

Dennis’s Sketchbook – Quiet & Cool

by Matthew | Feb 2, 2019 | Sketchbook Videos, The Blog | 2 comments

Dennis is a student currently enrolled in my foundation drawing class at the School of Visual Arts. Dennis is certainly a quiet student who goes about his learning in a methodical way.

You can really see the progress Dennis makes in his sketchbook. Towards the end his drawings just take on a whole different feel. They becomes much more relaxed. Dennis’s drawings look much more refined.

It really is amazing what can happen when you push yourself to finish two sketchbooks in fifteen weeks. If you want to improve your artwork you just have to draw more. It’s really that simple. I’d like to say it’s about quality and not quantity, but it’s really about more versus less.

Specifically when learning how to draw. When it comes to creating pieces for a portfolio, then it’s quality over quantity, less is best.

Thank you for taking the time to take a look at Dennis’s sketchbook. I trust you will see his progress.