The Blog | Drawing Tutorials Online Blog

Rex’s Second Sketchbook

by Matthew | Oct 21, 2017 | Sketchbook Videos, The Blog | 4 comments

Wow are you in for a treat, Rex’s second sketchbook is out of control awesome. It’s also a little overwhelming.

Rex is definitely a special individual. She is playing at a level different from most. Her sheer work ethic alone is a key takeaway from this video.

As you flip through her sketchbook like I said you might get a bit overwhelmed. Some self doubt might start to creep into your mind. The antidote to self doubt is focusing on what you can control right now. What you can control is working within your own sketchbook. Focus on you and your drawings.

Understanding that everyone improves at their own pace. Personally my entire 20’s set me up for my 30’s, I feel I didn’t get really good until I was in my 30’s. So needless to say I peaked late.

Draw with purpose in your sketchbook, don’t just doodle. Practice drawing some figures with light and shade. Practice drawing one anatomical part of the human form every week. Practice drawing from life, photos and your imagination.

Try your best not to always do the same thing. Challenge yourself, get out of your comfort zone. Be willing to crash and burn, your drawings will improve with time.

Enjoy Rex’s sketchbook. Turn that overwhelm into drive and determination.

Check out Rex’s Instagram. Thanks again Rex for sharing your art. looking forward to the next sketchbooks.

Creating A Simple Value Structure Study

by Matthew | Sep 25, 2017 | The Blog, Video Critiques | 2 comments

What is one of the best techniques you can put into practice in order to create a powerful image? Creating a value study. Taking five minutes to create a simple three or five value study will do wonders for your image’s integrity.

Sometimes we get so caught up in the details, the textures that we forget to organize a simple value structure. I recommend creating a value structure study in your sketchbook with a soft 2B mechanical pencil. It should take you less than five minutes to complete.

Try using just three values to start off with. A dark, middle tone and light is a great way to create a three value study. If three values is too limiting for you try creating a five value study. The reason for this is to see if your image is working before you actually get to your final. Do your best to shade in the values as solid as possible.

One of the worst feelings is when you are hours into creating your art only to see that your image might look too muddy. Trust me I’ve been there before. Plus creating multiple value studies will provide you with options.

Take a moment to watch the video below.

Thanks so much Simon for uploading your artwork to our member Critique Gallery! Keep up the good work.

Phoebe’s Sketchbook Part III – Incredible Interiors

by Matthew | Jun 24, 2017 | Sketchbook Videos, The Blog | 5 comments

Since the first day I met Phoebe back in 2015 wow has she really grown into an amazing artist. Her location watercolor paintings are just to die for.

The way she crams so much information into one painting in just so awesome. I love sitting with her work investigating all of the incredible details.

I’ve been teaching art since 1997 and every year there are always one or two students that really stand out. Phoebe is certainly a student I will always remember. Both for her extreme work ethic and incredible talent.

It’s unbelievable to see how Phoebe can’t sit down, focus and observe her environment the way that she does. The fact that she has so much self discipline is most impressive to me. In the age of the iPhone we are all sometimes a bit scatterbrained jumping from one thing to another. To see Phoebe focus the way she does gives me much inspiration.

The other great thing about Phoebe has been her willingness to try new things. She is certainly not a one hit wonder. When she first joined my class she was mainly into drawing just short gesture poses. The fact that she is now experimenting with detailed watercolor interiors is a huge leap.

My two key takeaways from Phoebe, one, be willing to get out of your comfort zone and two, develop the self discipline to sit and work.

Thanks for reading!

Check out Phoebe’s Instagram. Thanks again Phoebe for sharing your work. Good luck at Cal-Arts!

Check out stills of Phoebe’s sketchbook below.

Why Are My Portrait Drawings Flat?

by Matthew | Jun 21, 2017 | The Blog, Video Critiques | 2 comments

Recently Maria, a member of Drawing Tutorials Online, posted up a portrait drawing for feedback. Her main question, why is the drawing flat?

First off I want to thank you Maria for presenting this awesome teaching opportunity. There are many reasons why a portrait drawing can look flat. Let’s touch on four of them.

There is no background tone. With no tone in the background you have no foreground and background. Thus your portrait drawing is just sitting on white paper. Plus a tone or gradation placed in the background can provide you with an opportunity to soften the hair’s edge. Soft hair equals depth.
There are no gradations within the skin tone. When you have no shading from the light side to the dark side of the face your portrait drawings will look flat. There is most likely always a light hitting the model. If there is a light source there is definitely a gradation from side to side or top to bottom. Including gradations with create much more three dimension in your portrait drawings.
There are too many outlines. Line is awesome. However line alone can be flat in some cases. Drawing with a consistent outline will almost always create a flat outlined look. Combining tone with line promotes much more dimension.
There is no modeling with tone. Yes you can model with line. However modeling with line and tone is much better for creating dimension. What exactly are you modeling? You are modeling how light hits the form of the face. Understanding how surface planes work is super important. Understanding how to implement the modeling factors is vital as well.

I want to thank you so much for watching this video critique. If you are looking for a critique on your work just like this one consider a membership to Drawing Tutorials Online.

Our critique gallery is a kind nurturing place for you to learn and grow fast.

Thanks again for watching. Questions or comments, I would love to hear from you! Leave a comment below.

Do You Draw With Too Much Detail?

by Matthew | Jun 3, 2017 | The Blog, Video Critiques | 2 comments

Have you ever looked at your drawings and something seemed not quite right? The drawing was beautiful but a touch flat. I know I certainly have. Both my paintings and drawings had a flat look at one time.

After many years of trial and error I finally learned why my paintings and drawings looked flat. I was putting much too much detail everywhere. I was putting detail in the light, I was also rendering detail in the shadows. I was putting details in the background as well as the foreground.

If you are detail orientated like me you most likely love to render. You love to put details all over your images. You might want to consider using less detail to create more depth and atmosphere.

For example keep your shadows shapes fairly simple. Add details and texture in the light instead. Another tip, don’t put too many details in the background of your images. Think more shapes in the background, less texture. Render most of the texture and detail in the foreground.

These are simple tips for you to consider in order to create a well balanced drawing or painting. Letting go of detail in these two specific areas, the shadows and background will enable you to create an image that has depth and atmosphere.

If you have questions about this topic leave them in the comments section below.

Are you looking for feedback on your artwork? If you are check out what we have to offer in our membership area.

Thanks for watching!

How To Draw A Portrait With Minimal Shadow Shapes

by Matthew | Apr 3, 2017 | The Blog, Video Critiques

Have you ever tried to draw a portrait where the person in the photo reference had no contrasting shadow shapes? In other words the lighting within the photo was very flat.

When there aren’t many shadow shapes to draw it’s much more difficult to capture a likeness. In this video critique I help out Marjan, a member of Drawing Tutorials Online, with trying to capture a likeness. As you can see in the video below the young girl does not have many shadow shapes to cling onto.

In my latest Begin Here Step By Step course I teach a lesson called “Seeing Shadow Shapes”. Just about every member loved this lesson because shading in shadow shapes makes the process of portrait drawing much easier.

So keep in mind that it’s best to light your subject using form light in order for there to be some recognizable shadow shapes.

Now if you already have photo reference displaying flat light then you want to focus your efforts on drawing the shape of the hair first. Why you may ask, because the shape of the hair acts as a frame for the face. You want to take your time with measuring and drawing the angles of the face where the edge of the face touches the hair.

You also want to look for non contrasting shadow shapes. Practice shading in light non contrasting shadow shapes. Shadows shapes don’t always have to be super dark. You just have to practice being able to recognize subtle values shifts on the face of the person you are drawing.

I hope this video critique helps you with your portrait drawings.

Thank you for watching! If you want more drawing tips on a weekly basis click here.