Dan’s Sketchbook

Dan’s Sketchbook

by | Jan 19, 2019 | Sketchbook Videos, The Blog | 2 comments

Dan has got to be one of the nicest people I have ever met. He is extremely talented and very respectful. I really love having Dan as a student is class. His appetite for learning is so infectious. Dan is always asking questions, always looking for more feedback on his work.

Dan’s life drawings are truly amazing with a ton of power and vitality. He is in a really good place with his artwork right now. The future is bright.

The one thing I wish for Dan moving forward is to allow his growth to happen naturally. Dan wants to improve, like now. I know that feeling, you are improving, but not fast enough. The one thing I have learned over the years is that you cannot force how fast you can learn.

Our mind is like a sponge, it can only absorb so much information in any given period of time. You have to allow your mind to take in the information and process it. Putting what you have learned into practice does take some time.

I like to compare learning to the growth of a tree. A tree can only grow so much in one year. You cannot force it to grow six feet in a year, that’s just not natural. How we take in information and apply it is very similar to the growth of a tree.

Allow yourself to enjoy the process of learning. Yes push to improve, yes be extremely competitive, strive to be the best. However enjoy the process of learning how to draw. Set your eye on the destination and enjoy the sights along the way.

Dan thanks once again for sharing your art!!

 

 

Check out Dan’s Instagram. Thanks again Dan for sharing your art.

 

Mapping Out Proportions

Mapping Out Proportions

by | Jan 12, 2019 | Drawing Tutorials, The Blog | 3 comments

With this particular figure drawing I started with an abstract shape. It’s definitely a different way to start. Now what I’d like to share with you is how to branch out from the legs into drawing the torso.

That is drawing the torso with correct proportions. On paper it sounds easy. But executing this is somewhat difficult. It takes good eye hand coordination.

The concept is to use targets to branch out. What are targets you ask? They are little marks that you place on the paper to estimate where the edge of an item would be. The edge of the torso, the edge of the arm etc.

You’ll also want to look at abstract negative space between the torso and the legs. Take it slow and do not rush this step. Look and study more than you draw.

Lastly you’ll want to take measurements. Common sense stuff like what is directly opposite the model’s breast? What is right below the model’s navel. Not very romantic but these techniques work.

Like I said on paper this all sounds very boring and simple. But this really does take quite of lot of eye hand coordination. How to you get that, you draw everyday. 

 

 

If this technique helps you please leave a comment below. I’d love to hear anything you can add to conversation. If you have tried this technique and are still having issues with getting correct proportions I would like to help.

I would be happy to critique your work each and every Monday in our members Critique Gallery. It’s a cool place to get feedback on your work without all of the negative commentary.

 

Modeling The Figure – Circular Blending

Modeling The Figure – Circular Blending

by | Jan 9, 2019 | The Blog | 4 comments

I recently was working on a figure drawing, something fast for practice. I thought it would make for a short yet informative blog post.

From critiquing artwork in the members area I often get questions concerning modeling. How to make the transition between values smoother. A lot of artists struggle with having their drawings look too rough in the shading department.

Through the use of a circular blending motion both with a brush and pencil, I’m able to create a soft transition from light to shade. 

One very informative tip is to rest most of the weight your arm on your hand, not the pencil point. When you take the weight off of the pencil point you are able to to shade and blend in a soft nonintrusive way.

Of course you will want to use diverse pencil strokes throughout your figure drawing. If everything is too blended you run the risk of having your figure drawing look like a cotton ball. 

Balance is the key to using diverse pencil stoke direction. However for this drawing tip, for a soft blend, try using a circular blending motion.

 

 

Let me know what you think about this technique. Leave a comment below. Also if you are looking for feedback on your drawings checkout our member site.

 

Delaney’ Sketchbook

Delaney’ Sketchbook

by | Jan 5, 2019 | Sketchbook Videos, The Blog

Delaney is a student currently enrolled in my foundation drawing class at the School of Visual Arts in Manhattan New York. Delaney is from sunny California and you see that sunshine ring through in her artwork.

I knew right off the bat that I was going to ask Delaney if she wanted to film a sketchbook video, I was so happy when she said yes. I think it’s important to see a sketchbook like Delaneys. Mainly because it shows no fear.

Delaney has absolutely no fear. She just draws in her sketchbook not worrying if everything is going to come out perfect. I’m one of those people. I’m always looking to make that perfect drawing, that finished product.

If you can relate then Delaney’s sketchbook is a must watch. You want to think of your sketchbook as a draw dump. Just let go and practice. Let the cards fall where they may. Throw out the perfectionist mentality and good things will happen. You can save the perfectionist mentality for you finished art.

There are so many great things to take away from Delaney’s sketchbook. The fact that she just draws so much is one of them. The other is that she is in constant experimentation mode. I really do believe that your sketchbook should be a place for experimentation.

What stuck out to me while watching the sketchbook video was when Delaney mentioned that she has to add color after the fact. She showed a drawing with no color, I immediately got where she was coming from. For Delaney’s style of work color is a must. 

I’m going to certainly experiment with using a bit more color myself. I hope you enjoy Delaney’s sketchbook.

 

 

Check out Delaney’s Instagram. Thanks again Delaney for sharing your art.

 

Complicating Your Edge Line

Complicating Your Edge Line

by | Dec 29, 2018 | Drawing Tutorials, The Blog | 1 comment

Have you ever wondered why your figure drawings look stiff? Perhaps they look too stylized for your liking. The antidote to stiffness is eliminating all straight lines.

Straight lines on the edge of your figure drawings without a doubt create a stiff look and feel. No doubtably there are no straight lines on an organic figure. Now if you are in a life drawing class sitting fifteen feet away the model, all of the edges will look straight.

However armed with the knowledge that there should be no straight lines on the figure it’s your task to curve and complicate your edge line. There are specific areas to do this.

For instance you will want to complicate edge lines at the joints. Specifically the knee, ankle, elbow, shoulder etc. You do not want to complicate the middle of a limb. Keep the middle of the model’s limbs curvy and smooth, remember complicate at the joints.

Take a look at your work, tape of few of your figure drawing on the wall. Look at them as a unit, do they look stiff? Do you see a bunch of simplified edges? Do you see straight lines on the edge of your figure drawings?

Now you know what to incorporate into your drawings to to eliminate that stylized look. You now know how to create more of a realistic look and feel.

 

 

If you are looking to learn some new drawing techniques to help improve your figure drawing definitely consider a membership to Drawing Tutorials Online. I’m particularly proud of this new twenty-eight lesson course.

All of the lessons are really short, most under ten minutes. Each lesson focuses on a different technique. The course focuses on line, proportions, shading, structure as well as form.

Not to mention you can get your figure drawings critiqued on a weekly basis in our gallery. If the technique taught in the lesson above speaks to you please leave a comment below. Thanks for reading.