This lessons seven showcases how to draw the nose from the three-quarter view. This video tutorial will show what to do and what not to do when it comes to drawing the nose. No, this video is not about drawing a finished
Jasper, in particular, was truly such a great student to have in class. His life drawings were spectacular for a first-year student. We could have just filmed Jasper’s life drawing pad and I think we really should have.
Third, you must get constructive feedback. Getting feedback from a qualified teacher is one of the most important ingredients of learning how to draw. You could not be seeing or doing something very simple that help you to improve your art in a huge way.
The other really cool thing with the critiques within the member’s area of DTO, is consistency. it’s one thing to get feedback once. It’s another to get contextual feedback on your work on an ongoing basis.
Kate was nice enough to share two of her Moleskin sketchbooks. If you stick with her sketchbook video you can really see her progression from start to finish.
I recently uploaded a brand new course to the member’s area over at Drawing Tutorials Online. This course focuses on drawing the figure using diverse mixed media.
Wow, how time flies by. I remember back in September when Delaney’s class just started. I also remember seeing Delaney’s first sketchbook. I never saw anything like it. It was one big hot mess, it looked like it was dragged to school
You have to constantly practice these portrait drawing techniques over and over again until you master them. It’s not enough to just know them in theory. You need to put them into practice.
Have you ever worked on a figure drawing where the head was really small. Did you ask yourself, how am I supposed to draw so small? The eye is the size of my pencil point.
Anna’s sketchbook is really special. She just absolutely loves everything animation and it really shows. Her characters have some really cool expressions. Movement and flow are a constant theme throughout her sketchbook.
This short drawing tutorial will teach you how to blend pencil with a bristol brush. By using various types of bristle brushes you can really blend shadow shapes in a soft realistic way.
I wanted to take a moment to share part of a Master Class lesson featuring the sketches of Isaac Levitan. As you know I am a big fan of landscape painting. Most likely because most of my past illustrations had a landscape in the background.
When it comes to drawing a small head on a figure it can be pretty daunting. However when it comes to drawing facial features that are mainly on the shadow side of the head, that can be even worse.
In this video critique of the week we help out Hillary with her life drawing. To quote Hillary, I was going for a precise likeness by searching for shadow shapes, but once the drawing looked like her, I didn’t know how to develop the forms.
Coe’s Sketchbook drawings really inspire me, specifically their line drawings of birds and other animals. The line used to draw birds is spectacular and only improving with each passing week.
I discovered the work of Isaac Levitan roughly one year ago. I wish I knew of his work back in the day when I first started working as a freelance illustrator. Isaac Levitan is a master landscape painter. You can really see in this one painting how he captures light.
You can really see the progress Dennis makes in his sketchbook. Towards the end his drawings just take on a whole different feel. They becomes much more relaxed. Dennis’s drawings look much more refined.
In case you have not noticed I am a big believer in repetition in the mother of skill. I tend to teach the same things over and over again because they work for me. I have also seen these techniques work in the classroom on a weekly basis. The main crux is to use targets to start fitting the head onto the shoulders.
Dan has got to be one of the nicest people I have ever met. He is extremely talented and very respectful. I really love having Dan as a student is class. His appetite for learning is so infectious. Dan is always asking questions, always looking for more feedback on his work.
On paper it sounds easy to draw the correct proportions of the figure. But as we have all found out the hard, getting proper portions is very difficult.